She felt a little lightheaded. But we know better. This insecurity makes her completely vulnerable to the will of others, and is one of the things that eventually leads her to run off with Arnold Friend at the end of the story, a mysterious character whose purpose for kidnapping Connie is not clearly stated, but can be inferred easily; Connie is beautiful, and therefore desirable, for all the wrong reasons.
Arnold frightens Connie, causing her to call out for her mother. He was standing in a strange way, leaning back against the car as if he were balancing himself. They were maybe ten feet apart. I cut this here to show you the progression from uncertainty and the possibly welcoming behavior of Connie to her feeling like maybe these guys were really creeps, and should go.
Are we talking about sex, or what is bound to come after, the violence, and the disposal of the body?
Just like any teenager she sneaks around, going to a drive-in restaurant to meet boys rather than to the movies like she told her family. I always keep my word. Everything about her had two sides to it, one for home and one for anywhere that was not home: She brushed her hair back out of her eyes.
Wegs argues the symbolism of Arnold Friend as a Satan figure when she writes: Kirszner and Mandell, She watched this smile come, awkward as if he were smiling from inside a mask. I never needed to look anymore. She recognized all this and also the singsong way he talked, slightly mocking, kidding, but serious and a little melancholy, and she recognized the way he tapped one fist against the other in homage to the perpetual music behind him.
Mike Tierce and John Michael Crafton suggest that Arnold Friend is not a diabolical figure, but instead a religious and cultural savior.
Connie looked away from his smile to the car, which was painted so bright it almost hurt her eyes to look at it. Connie represents the gullable Persephone, and Friend is Hades.
Her heart was almost too big now for her chest and its pumping made sweat break out all over her.
The way he straightened and recovered from his fit of laughing showed that it had been all fake. His smile assured her that everything was fine. Connie would raise her eyebrows at these familiar old complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: I always tell the truth and I promise you this: Connie felt a wave of dizziness rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it all right again.
Especially noteworthy about this psychological disorder is that it causes the sufferer to think that they deserve whatever ending they get. He held the radio away from his ear and grimaced, as if without the radio the air was too much for him. There is a thread buried in this story, one more layer of uncertainty, where Oates hints at the fantastic.
In Joyce Carol Oates story, Connie is, at first, a stereotypical teenage girl, superficial, self-centered, vain, and deceitful. In the car Ellie turned up the volume on his radio and did not bother to look around at them.Where Are You Going, Where Have You Been?
study guide contains a biography of Joyce Carol Oates, literature essays, quiz questions, major themes, characters, and a full summary and analysis of the short story Where are You Going, Where Have You Been.
Connie. BACK; NEXT ; Character Analysis (Extra)Ordinary. Persephone. Antigone. Ophelia. Catherine Earnshaw. In the list of great tragic heroines, Connie doesn't really seem to fit.
She's the girl next door: she's ordinary, even bratty. She's the "pretty one" in the family and thinks she's superior to her mother and her sister because of it. I’m going to be doing something a little different this column.
Instead of dissecting one of my stories, I’m going to dissect a classic short story, “Where Are You Going, Where Have You Been,” by Joyce Carol Oates. Literary Devices 3. STUDY. PLAY. "Where Are You Going, Where Have You Been" Joyce Carol Oates.
Direct Characterization. Usually consists of the narrator telling the reader about the characters, In addition, direct characterization can also involve other external details, such as names or other overt commentary.
often difficult to. In conclusion, the character Connie in “Where Are You Going, Where Have You Been?” whose various psychological problems have been discussed in this paper, meets the ending that she does in the story because of her. In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” critics argue whether the character of Arnold Friend, clearly the story’s antagonist, represents Satan in the story.
Indeed, Arnold Friend is an allegorical devil figure for the main reason that he tempts Connie, the protagonist, into riding off with him in his car.Download