He questions our desire to allocate enormous resources to technology and asks if we fully appreciate the potential harm it may create. The first section, entitled "The Real and the Ideal," sets out the dialectic as a useful model for technological discussions and outlines how the authors envision a technological dialectic.
These works illustrate her case that information inevitably requires material instantiation — a significant argument that warrants more unpacking. The third section, entitled "The Medium and the Message," focuses on specific digital projects. The final two essays in the fourth section, "The World and the Screen," are the most engrossing.
This section has the most theoretical leanings of the collection. In addition, this section investigates the conundrum that emerges with the development of virtual reality, and the realization that through this development the opposition between the real and the ideal is no longer a tenable opposition.
The collection praises the potential of the digital, and it begins to address the larger issues connected to digital technologies, but we need to hear more answers about how these technologies will transform our society, history, and ideology. In her contribution, "The Condition of Virtuality," N.
Alternative covers might have illustrated specific nuances of digital dialectic, such as decaying computers, blossoming screens or Luddite mayhem.
They do not discuss how to publish a journal on-line, but rather how computers and virtual writing change literature, and, thus, the reader.
He wonders who is served by the developments and advancements in digital technology. While an expert in surfing the trends of new media, Mitchell is not at all concerned with their undercurrents. It is no longer an indexical media technology but, rather, a subgenre of painting.
Landow, in "Hypertext as Collage-Writing," provides a explanation of what makes hypertext unique and illustrates how hypertext blurs borders, stresses connections, creates fluidity, and changes the role of the author and the reader.
What we have then is a book for an academic audience that incorporates perspectives from outside the academy. Though limited to the history of cinema, the structure of his argument could be extended to digital media as whole.
The second section, "The Body and the Machine" examines virtual reality, cybernetics, and the history of cyberspace to address the nature of the relationship between human beings and computers.
It would be very interesting to see what Lev Manovich could do given free reign between the covers of his own book. Its weakness is that the collection overall suffers from the "conference collection syndrome," in that the contributions are uneven in accessibility and the sense of unity between the essays is strained.
They too often end on a sweet alchemical note that might warm the hearts of a conference audience, but leaves the armchair reader unsatisfied. Carr Cultural Studies Program.Lunenfeld, Peter, editor. The Digital Dialectic: New Essays on New Media. Cambridge, Mass: MIT Press, Based on a conference entitled "The Digital Dialectic: A Conference on the Convergence of Technology, Media, and Theory," this collection of eleven essays.
Download Citation on ResearchGate | On Feb 28,Peter Lunenfeld and others published The Digital Dialectic: New Essays on New Media }. The digital dialectic: new essays on new media / edited by Peter Lunenfeld.
p. cm.-(Leonardo) Includes bibliographical references and index. ISBN (hardcover: alk. paper). The electronic Dialectic is an interdisciplinary jam consultation approximately our visible and highbrow cultures because the machine recodes applied sciences, media, and paintings kinds.
not like merely educational texts on new media, the booklet contains contributions by means of students, artists, and marketers, who mix theoretical. Peter Lunenfeld (ed.), The Digital Dialectic: New Essays on New Media.
Cambridge, Mass.: MIT Press, ISBN (hb) ISBN (pb). The key concept is the digital dialectic: a method to ground the insights of theory in the constraints of practice.
The essays move beyond journalistic reportage and hype into serious but accessible discussion of new technologies, new media, and new cultural forms.5/5(3).Download